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Essays we like. Rob Irving: Art and Artifice featured in The Circlemakers.
Metaphor is the key: we don’t necessarily have to either believe in, or reject, the phenomena to gain from the vision. By presenting us with unexpected novelty which threatens, cajoles and ultimately ridicules blind belief and its mirrored twin, blind scepticism, we learn new ways to perceive it.
Before they disappear this year, crop circles must surely appear as an article on the Journal. Now all good sceptics amongst us just know that they are made by the hand of man. Mysterious flying objects from the sky that touch down, make an intricate pattern in the wheat, and then disappear without any appearance of their alien pilots, it is unbelievable! But in a long and cleverly argued essay by Rob Irving the fact that the phenomena of manmade crop circles is an act of creative imagination which leads us forward in our thinking should not be dismissed.
So let’s welcome the sight of the intricate geometrical designs spread with such ease on the Wiltshire landscape, and don’t ask the more pertinent question as to why aliens are attracted to prehistoric monuments, could it be the white horses? or maybe it’s a ‘Banksy’ alien given to doodling graffiti in the wheat, or maybe it’s the human challenge of ‘designing’ something that will excite the imagination. And on a more serious note, yes the farmers do get cross by what can often be seen as vandalism or destruction of valuable crops, especially by ‘crop circle tourists’ that invade the areas round Avebury and tramp round the circles with solemn expectancy of ‘earth energies’ but some farmers do seem to manage to profit by charging entrance fees, according to the following John Vidal article.
So whether you are a believer or a sceptic, read Rob Irving but if you are a tad sceptical, read John Vidal’s article in the Guardian in 2009 titled – The bizarre revival of crop circles – and advice on how to make your own. It is a good historical overview of crop circles.
Full article here – http://www.bbc.co.uk/news/science-environment-14503302
See also Boudicca’s lost tribe .
The Wiltshire Tourist Authority today issued an apology for the poor quality of this year’s crop circles.
“We are very sorry that standards have slipped so disastrously” said Head of Marketing Peter Bread, “and we realise how worried all the businesses that rely on circles must be. We have had a word with those responsible and have warned them that things must improve if the contract with them next year is to be renewed”.
The row is believed to have come to a head following the appearance of this circle next to Silbury Hill. Lyn Zoon, a spokesblob for the fourth dimension Aliens currently supplying Wiltshire admitted that standards had slipped recently and blamed “staffing difficulties and the cost of diesel”.
by Chris Brooks, Heritage Action. All images © Chris Brooks.
Day 4
Well, return I did. After a good night sleep I got up and drove straight back to Brodgar but again it was occupied by the maintenance team cutting the grass. Just checking my map, there were a couple of other places in the area I could visit and so drove down to the Barnhouse Stone.
This standing stone sits in a field near the turning onto the Brodgar road near Maeshowe burial tomb. Being quite close to the main road the traffic can be distracting and there is nowhere easy to park nearby. Although quite thin, the stone is top heavy, being quite broad at the top and narrowing significantly as it enters the ground. Its uppermost part is covered with a beautifully thick head of moss and yellow lichens form flashes down its lower sides. This stone aligns with the entrance to Maeshowe during midwinter sunrise. Access to the stone was limited as the field in which it sits was in early crop and the stone itself is surrounded with a low height barrier. I managed to get a few shots although I couldn’t get the alignment with the famous tomb it is associated with.
I returned to Stenness, but rather than going into the stones I followed the sign and walked to the close by Barnhouse settlement. You approach the small settlement via a short grassed track that passes alongside the standing stones.
One thing I like about Orkney is you never failed to be surprised at almost every site, and again this was not exception. On the ground before you lie the shape of what looks like a house. But at a second glance it becomes obvious that this is not a house at all… or at least not in the normal sense of the word. The floor plan is of a more or less square circle with a grass covered retaining wall around the outside. There is then an intermediate area which is entered through a ‘doorway’ in the outer wall. There is then a walled passageway entrance to the even more square inner area which contains a central hearth. Interestingly, there is a second hearth in the passageway entrance to this section also which is the first clue that this is not a home. The outer and inner entrances are not aligned either so you have to walk around the intermediate area to get to the inner section. The outer entrance has a couple of portal stone whereas the inner entrance is more grand and complex. Surely this is the reverse of what you would do for a home (well it is these days) and the fact that you would first have to traverse a fire to get into the centre points to an entirely different purpose maybe relating to some sort of ritualistic ‘rite of passage’.
There is another large square building in the complex which resembles a modern semi-detached home. This structure is split into two mirrored images in that it has two hearths separated from each other by a thin stone wall which goes across the centre. Around the hearths are what look like sleeping areas, again separated by thin walls. This building may be a home but I think not as many as the normal round houses on the site which are just that, normal. They are smaller, round and have a single hearth at their centre. The first impression I got was that this is all part of some sort of ritual procession that involves these structures and the Standing Stones of Stenness. The information boards more or less confirm this. The fact that there is a build containing two similar layouts suggests some sort of bonding ceremony, maybe, where each person is separated before the bonding. It could be marriage or it could be coronation related… but I am only guessing. The fact is that there is so much here to get you thinking, which is something I very much liked about the place. There are many structures here, enough to keep you busy for a good while anyway, and there is a small standing stone next to the loch which is a good place to contemplate when it get busy.
Again I returned to the standing stones where, as normal, it was quite busy; unnoticed by the crowd however were two seals sunbathing on the shores of Stenness Loch. I took a few shaky pictures from a distance and got back in my car.
We notice that the Avebury Parish Council is to form a planning sub committee with a quorum of only three Members that will “have the right to make a decision on the council’s behalf”.
Even though “all members of the Parish Council would be emailed all draft decisions and allowed 72 hours to respond” this doesn’t seem to us to be the best looking decision in the world for although forming small sub-committees of this sort is perfectly normal and practical elsewhere, Avebury is not a normal village – it is a World Heritage Site. What happens there is not just the concern of the locals but of the national and international community and therefore allowing decision to be made by just three people doesn’t look like a very sensitive move. Particularly bearing in mind that the predecessors of the current council actually voted in favour of the Bond’s Garage redevelopment contrary to the wishes of all the official and professional bodies!
Part of an Iron Age clay wall from Saxony-Anhalt, Germany
Archaeologists in Saxony-Anhalt have discovered a 2,600-year-old wall painted in bright patterns. It reveals that Iron Age houses were not the drab constructions they were once thought to be. The State Museum for Prehistory in the eastern German city of Halle put part of the prehistoric clay wall on display on Monday. The wall was apparently part of a sprawling, Iron Age human settlement. “We know now that prehistoric times were not grey but rather that prehistoric houses were colourfully painted,” Saxony-Anhalt state archaeologist, Harald Meller, said. It was the greatest Iron Age wall painting discovered north of the Alps, he said.
The dominant colours are red, beige and white. For pigments, the prehistoric painters used substances such as iron oxide, which gives the reddish, ochre colour. The design shows typical ornamental patterns from the Iron Age such as triangles and S-shaped hooks, but also symbolic characters.
Full article here.
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