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By Dr Sandy Gerrard
In the moorlands of Western Britain are two very similar stone rows. They have a great deal in common but whilst one is in England the other is in Wales. The English one was discovered in 1917 whilst the Welsh one was found nearly 100 years later in 2012. Both:
- have been damaged by industrial activity
- sit within a prehistoric context
- have a cairn at their upper end
- are composed of small stones
- have the largest stone at the lower end
- are not straight
- have a significant change in orientation at a point where a coastal headland becomes visible
- have sea views along their upper length
- have no sea views along their lower length
- are associated with cairns
- have not been positively dated
There the similarities end. The English row is a scheduled ancient monument whilst the Welsh one is not because there is “insufficient evidence”. The peculiar thing is both rows have exactly the same amount of evidence to support a prehistoric interpretation and yet whilst English Heritage considers this sufficient Cadw do not. As we have seen, a lack of evidence does not normally prevent Cadw from scheduling sites so why are they so reticent to schedule this one?

Lines of stones leading up a hill. One is scheduled as an Ancient Monument the other is not. Which one?
Lines of stones leading from mounds of stones have traditionally been treated as stone alignments. So why is it that in England this is seen as sufficient evidence to offer protection, whilst in Wales it is not?
Shifts in alignment are a common feature of stone rows. Both of these occur at a point where a coastal headland becomes visible.
These lines of stones are so similar it is difficult to appreciate why one can be seen as nationally important and the other as not.
QUESTION: When is an alignment of stones leading from a stony mound within a rich prehistoric ritual landscape dismissed as probably post-medieval?
ANSWER: Perhaps when it is embarrassingly found by a third party after the archaeological mitigation work has been completed.
Above are 3 examples of the many pieces of “art” produced by just one person across 10 national parks right across the western United States. Unsurprisingly, the National Parks Service has issued a press release saying “Vandalism is a violation of the law and it also damages and sometimes destroys often irreplaceable treasures that belong to all Americans.”
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On the other hand, here are some of the temporary artworks the UK’s National Trust has willingly allowed, including in a National Park:
Are both organisations right? Or just one of them? Would the US National Parks Service agree with the UK National Trust that if it’s temporary and for a good cause it’s OK and won’t invite damaging copycatting”? Or not?
The problem is this: it’s being used as a new header on a website dedicated to campaigning for open access to Stonehenge and it’s a cut down version of this :
… which shows people standing on the lintels.
Calling for greater access is one thing, implying even indirectly that climbing on the monument is OK is another. Particularly at the exact moment the Government, supported by the English Heritage and the National Trust, is announcing an intention to damage the World Heritage Site. One wonders how all this looks from abroad, including at UNESCO!
You can now see the two questions asked about the tunnel and the Trust’s answers here:
Question 2 by Kate Freeman 1 hour 03 minutes – for 2 minutes.
UPDATE Mon 10 Nov
This morning the Prime Minister will say, 3 weeks in advance of the Chancellor’s Autumn Statement that the whole length of the A303 will be upgraded to be at least a dual carriageway
The stone alignment at Saith Maen stands on moorland above Craig-y-nos in Powys at SN83311540. The row includes a line of seven slabs (two of which are recumbent) extending for a total length of 13.7m. There is nothing else quite like it in Wales. Compared with all of the others the stones are set very close together and indeed for the closest parallels one must look west to Ireland where several well-known examples exist.This alignment also lacks a prehistoric context as there are no cairns or similar features in the immediate vicinity. Finally the stones are relatively unweathered compared with others in the area.
These warning signs could be seen as an indication that all is not as it appears. No conclusive evidence exists to support a prehistoric date but it is accepted as prehistoric because well it looks right and no alternative explanations have been forthcoming. Interestingly when Cadw were asked for alternative explanations for the Bancbryn alignment they responded “I am not minded to express an opinion on the most likely interpretation given the limited nature of the evidence.” A curious response given that there is plenty of evidence to support a prehistoric date for Bancbryn whilst none exists for Saith Maen and its documented use as a sheepfold should perhaps sound warning bells!
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English Heritage (EH) have recently made a big splash in the media on the release of their latest ‘Heritage at Risk‘ register, which lists heritage assets deemed to be in danger from deterioration, damage, development or other threats.
When I contacted EH some years ago to enquire, I was told that the vast majority of Scheduled Ancient Monuments (SAMs) in England are lucky if they are officially inspected once a decade. Some are never visited officially, and many can go 20 years or more without any official inspection. Frequently the responsible body will rely upon reports from landowners, the public or police regarding any damage that occurs to a site. The response given to a Freedom of Information request to EH earlier this year shows that what I was told nearly a decade ago still holds true today (check some of the ‘Last Visited Dates in any random spreadsheet in the reply).
But now we’d like to change all that, with your help.
We know that many of our readers visit SAMs and other heritage sites on a regular basis, be it a local site that they’re familiar with, or a site that has been selected as the target of a day trip, or holiday visit to an unfamiliar area. All we ask is that when on such visits, you keep your eyes open for any evidence of Heritage Crime. What is heritage crime? Quite simply, as stated on the EH web page on the subject, it is “any offence which harms the value of England’s heritage assets and their settings to this and future generations”.
So how can you help? Firstly by taking note of any evidence. Pictures are always helpful. If you actually witness a crime being committed, the EH web page on reporting crime suggests phoning 999, but we’d say only do this if you will not be endangering your own personal safety by doing so. The first port of call for any crime will be the police, whether via 999 if a crime is in progress, or 101 if not (see the previous EH link above). If this all sounds familiar, we’ve previously highlighted these steps, here on the Journal.
But in addition, the relevant authority should also be informed, whether that be English Heritage or the National Trust in England, Cadw in Wales or Historic Scotland north of the border – see the contact links below.
It might also be worth recording your visit and any actions taken on one of the hobbyist web sites so that others can see what has already been reported – the Megalithic Portal has a useful Visit Log facility for registered users in addition to its site comments facility.
With your help, the integrity of many of these forgotten and threatened sites can hopefully be maintained, and any damage brought to the attention of the relevant people.
Useful Contact Links:
- English Heritage: What is Heritage Crime?
- English Heritage: Reporting Heritage Crime
- English Heritage: Contact Us
- National Trust: Contact Us
- Historic Scotland: Contact Us
- Cadw: Contact Us
It seems that leading architects have welcomed the news the Government is again considering a road tunnel at Stonehenge (see the latest Architects Journal) despite the fact it is only a short one.
Roddy Langmuir of Cullinan Studio, whose practice worked on numerous proposals for the site in the early 1990s, said:
‘A tunnel [would be] a fantastic move……. Having drawn many options with engineers for tunnels in this landscape, one of the key consequences often ignored is the impact of the cut for the tunnel portals in such a subtly rolling landscape. These need clean incised banks that minimise land-take instead of the usual naturally retained battered walls and wide-mouthed portals. The engineering design needs to include an architectural appreciation of the landscape, and this historic landscape above all others.’
Is that how it’s all going to be presented? “Never mind the archaeological damage, look at the clean incised lines and the way it exhibits architectural appreciation of the landscape“? Have architects confused sympathetic architectural treatment with destructive archaeological action? No matter if it’s architects making that mistake. What matters more is if archaeologists make the same error.
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